"A Crevice of Violence" is a story about a boy’s life. His mother has left the family and his father is an alcoholic. The boy is a very violent troublemaker. The stand out point of "A Crevice of Violence "is that it doesn’t only show the cycle of violation but actually questions on how to exit this vicious cycle. The film tries to find a way through the attitude of his remarried mother and his judge in charge and the facial expression of the boy when he meets them.

Based on a true story, an adoring wife and mother is taken hostage during a robbery and brutally murdered.

For the third and final contribution to Contour Biennale 8, inhabitants has commissioned Adam Khalil and Zack Khalil in order to host an urgent reflection on indigenous sovereignty, the undead violence of museum archives, and post-mortem justice. 　　Filmmakers Adam and Zack Khalil, in collaboration with artist Jackson Polys, investigate the recent court case that decided the fate of the remains of a prehistoric Paleoamerican man found in Kennewick, Washington State in 1996. The case pitted the Umatilla people and other tribes, who wanted to provide a burial to the “Ancient One”, against two scientists—one of which from the publicly-funded Smithsonian Institute—who wanted to study the “Kennewick Man”. In order for the claim to fall under the Native American Graves Protection and Repatriation Act (NAGPRA) it became necessary to establish the lineage of these remains. This fight unleashed a controversy with groups attempting to establish white ancestry, and with this seeking to altogether undermine the indigenous sovereignty over land and ancestors and annul centuries of colonial violence. The evolving science of DNA and cranial morphology was grotesquely called in to testify to the purity of the bones’ ethnicity, where native claims to embodied knowledge of its origin had little means of addressing the court. Despite all of this, the Umatilla people and other tribes ultimately repatriated the “Ancient One” and he was reburied earlier this year in 2017. 　　Bios: 　　Adam Khalil and Zack Khalil (Ojibway) are filmmakers and artists from Sault Ste. Marie, Michigan and currently based in Brooklyn, New York. Their work subverts traditional forms of ethnography through humor, transgression, and innovative documentary practice. Their films and installations have been exhibited at the Museum of Modern Art, Walker Arts Center, e-flux, UnionDocs, and Microscope Gallery. 　　Jackson Polys is an artist who lives and works between what is currently called Alaska and New York. His work reflects examinations into the limits and viability of desires for indigenous growth. He began carving with his father, Tlingit artist Nathan Jackson, in high school, has worked as an artist based in Alaska as Stron Softi, with solo exhibitions at the Alaska State Museum and the Anchorage Museum, and holds an MFA in Visual Arts from Columbia University’s School of the Arts (2015).

For the third and final contribution to Contour Biennale 8, inhabitants has commissioned Adam Khalil and Zack Khalil in order to host an urgent reflection on indigenous sovereignty, the undead violence of museum archives, and post-mortem justice. 　　Filmmakers Adam and Zack Khalil, in collaboration with artist Jackson Polys, investigate the recent court case that decided the fate of the remains of a prehistoric Paleoamerican man found in Kennewick, Washington State in 1996. The case pitted the Umatilla people and other tribes, who wanted to provide a burial to the “Ancient One”, against two scientists—one of which from the publicly-funded Smithsonian Institute—who wanted to study the “Kennewick Man”. In order for the claim to fall under the Native American Graves Protection and Repatriation Act (NAGPRA) it became necessary to establish the lineage of these remains. This fight unleashed a controversy with groups attempting to establish white ancestry, and with this seeking to altogether undermine the indigenous sovereignty over land and ancestors and annul centuries of colonial violence. The evolving science of DNA and cranial morphology was grotesquely called in to testify to the purity of the bones’ ethnicity, where native claims to embodied knowledge of its origin had little means of addressing the court. Despite all of this, the Umatilla people and other tribes ultimately repatriated the “Ancient One” and he was reburied earlier this year in 2017. 　　Bios: 　　Adam Khalil and Zack Khalil (Ojibway) are filmmakers and artists from Sault Ste. Marie, Michigan and currently based in Brooklyn, New York. Their work subverts traditional forms of ethnography through humor, transgression, and innovative documentary practice. Their films and installations have been exhibited at the Museum of Modern Art, Walker Arts Center, e-flux, UnionDocs, and Microscope Gallery. 　　Jackson Polys is an artist who lives and works between what is currently called Alaska and New York. His work reflects examinations into the limits and viability of desires for indigenous growth. He began carving with his father, Tlingit artist Nathan Jackson, in high school, has worked as an artist based in Alaska as Stron Softi, with solo exhibitions at the Alaska State Museum and the Anchorage Museum, and holds an MFA in Visual Arts from Columbia University’s School of the Arts (2015).

Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.

Axel Chen, ex-special ops, is a nightclub bouncer. One night, during a fight, he kills one of his attackers. From then on, he's on the run, forced into fighting for a living, both to survive and prove his innocence.

On October 10th GCW presents The Aftermath live on FITE straight from Showboat Hotel in Atlantic city, NJ! The event features the first time ever match between Minoru Suzuki and Joey Janela.

An immigrant travels from Sedona to Los Angeles to seek revenge against the immigration lawyer who ruined her life.

Aftermath is a supernatural crime drama based on the popular Naver webtoon by Kim Sun Kwon ("Survivors of Those Days," "K Errands Center"). It is a thrilling story of murder, mystery, and love that was made exclusively for Naver TVCast for viewing on mobile devices. Ahn Dae Yong (Dong Jun) is a quiet high school student who suddenly develops the super power to predict who is a murderer and who is about to die. Those who appear to have red eyes are destined to die soon, while those with blue eyes are about to commit murder. Ahn Dae Yong decides to use this power to save lives and becomes an unexpected hero for the people.

Aftermath is a supernatural crime drama based on the popular Naver webtoon by Kim Sun Kwon ("Survivors of Those Days," "K Errands Center"). It is a thrilling story of murder, mystery, and love that was made exclusively for Naver TVCast for viewing on mobile devices. Ahn Dae Yong (Dong Jun) is a quiet high school student who suddenly develops the super power to predict who is a murderer and who is about to die. Those who appear to have red eyes are destined to die soon, while those with blue eyes are about to commit murder. Ahn Dae Yong decides to use this power to save lives and becomes an unexpected hero for the people.